Nous voilà rendus à la troisième partie de la liste de chercheurs qui ont participé au congrès national de la Popular Culture Association/American Culture Association de 2015. Pour ce billet, les chercheurs ayant un compte Twitter sont classés dans les catégories suivantes telles qu’indiquées par le programme 2015 : Adaptation (Film, TV, Lit., and Electronic Gaming), Animation, Comics and Comic Art, Game Studies et Internet Culture.
Adaptation (Film, TV, Lit., and Electronic Gaming) (Jellenik)
Rebecca Gordon : Downton Abbey and the Generic Contract Downton Abbey and the Generic Contract
Adrienne Orr : ‘I’m here for the story’: The Character of the Author in the Castle Transmedia Storyworld
Animation (Silverman and Chanthanakone)
Blake Ball : 50 years of Snoopy Animation: Histories from Scholars
Jared Browsh : Keeping it Real: An Overview of the Hip Hop Influence in Animation
Alyssa Clifton : Trying to Reclaim the Lost: Identity and Spirited Away
Laurence Figgis : American Gothic: chaos, anachronism and modernity in Eyvind Earle’s Sleeping Beauty
Stephen Lind : 50 years of Snoopy Animation: Histories from Scholars
Comics and Comic Art (Wandtke and Freim)
Carlos Acosta-Ponce : ALAN MOORE AND THE APPROPRIATION OF FILM NOIR’S AESTHETICS AND TRADITIONS IN WATCHMEN
Collin Bost : Women from the Crypt: Reevaluating the Gender Politics of EC Horror Comics
Christina Blanch : Social Issues in Joss Whedon’s Serenity Comic Books
John Bultena : Comics and their Role in Freshman Composition Courses
Danny Caine : “A Multitude of Harveys:” The Complex “I” of Harvey Pekar’s American Splendor
Nicole Freim : Mixed Messages: Spider-woman, Manara, and Comic Sexuality; Batman at 75: The Dark Knight in Context
Rachel Graf : Iconography, Visual Culture and Comic Language
Elena Hristova : There Are No Master Races!: anthropology, race, and economics in Intergroup Relations Movement propaganda during the Second World War
Ryan Novak : Anti-Semitism in The X-Men
Julia Round : Revenant Landscapes in The Walking Dead
Alex Wainer : Batman at 75: The Dark Knight in Context
Game Studies (Call and Wysocki)
Ashley Barry : Harvesting the Little Sisters: Sexualization and Exploitation of Children in the BioShock Series
Melissa Bianchi : Orca 167 is Not Happy: How Zoo Simulation Games Reimagine Cultural Conceptions of Animals and Animal Captivity
Bridget Blodgett : Bronies on the Iron Throne: Perceptions of Prosocial Behaviors and Success
Kyle Bohunicky : Start9: “Twitch Plays Pokémon” and the Rise of Compositional Play
Betsy Brey : “Hail Helix!”: Metanarrative in TwitchPlaysPokémon
Edmond Chang : « Queer (Im)Possibility and Straightwashing in Frontierville and World of Warcraft »
Adam Crowley : “Would You Kindly” Reconsider: The Limits of Ludonarrative Dissonance
Jack Curtis Dubowsky : Ludosexuality: The Hookup App as Gaming Environment
Charlie Ecenbarger : Damnit, Carl! I Told You to Stay in the Comics!: Convergence in Telltale’s The Walking Dead
Nancy Foasberg : Colonialism and Abstraction in Eurogames
Evan Lauteria : Game Production as a Cultural Field: Nintendo vs. Sega in the Transnational Market
Nicholas Mizer : “I Kidnap Reality and Hold It Hostage:” A Phenomenological Case Study of Shared Imaginative Worlds in Tabletop Role-Playing Games.
David Thomas Moran : Quare and Co-Present Danger: Visualizing the interplay of carlessness and queerness in the American South through urban, mobile gaming Game Studies
John Murray : Augmented, Cinematic, or Virtual? Negotiating the Future of Gaming Platforms
Graham Oliver : Renegade or Paragon: Narrative Choice in Contemporary Video Games
Alexandra Orlando : “Hail Helix!”: Metanarrative in TwitchPlaysPokémon
Amanda Phillips : The Playful Dead: Mechropolitics and Ragdoll Physics
Lyz Reblin : Consider Her A Living Person: Compassion in Telltale Game’s The Walking Dead
Anastasia Salter : Come Get Some: Duke Nukem, Damsels in Distress, and the Default Avatar
Douglas Schules : What is the « J » in JRPG?: A Look at the Soft Poltical Construction of a Genre
Kalervo Sinervo : Gotham on the Ground: the Heritage of Batman: Arkham Origins’ Virtual Geography
Aaron Trammell : The Cult of the Slender Man: An Affective Approach to Games and Play
Timothy Welsh : Posthuman Possibilities: Gender and Warframe
Internet Culture (Helb and Ray)
G. Bret Bowers : I Don’t Always Write about Masculinity, but when I do, I Analyze Memes
Kelli Burns : #FoodBabeArmy Strong: How the community of a popular food blog both supports and subverts the blog’s mission
Molly Kalan : Status update as memoir: An exploration of grief expression across platforms
Alexandra Harlig : Not Grammar Police but Genre Police: YouTube Comments as Art Criticism
Devon Ralston : Subversive Genres: Feminism and the Amazon.com Review, 4 Stars
Mary Beth Ray : Personal and Social Structures in the Everyday: Exploring the Intersection of Digital Connectivity and Music Culture
Jeffrey Riley : Liking the Lies: An analysis of hoaxes on Facebook and what they mean for the contextual framework of viral message spread
Candice Roberts : Pop Bottle Projects and Etsy for Rest of Us: Working Class Crafting in the Digital DIY Movement
Nancy Ross : Ordain Women Memes: Disposable Art for the Digital Age
Nora Madison : Producing, Distributing, and Consuming the Craft Beer Movement
