Voici la neuvième partie de la liste de chercheurs qui ont participé au congrès national de la Popular Culture Association/American Culture Association de 2015. Pour ce billet, les chercheurs ayant un compte Twitter sont classés dans les catégories suivantes telles qu’indiquées par le programme 2015 : Cemeteries and Gravemarkers (Edgette); Circuses and Circus Culture (Mascia); Disasters, Apocalypses, and Catastrophes (Bell and Ficociello); Gothic in Literature, Film, and Culture (Palmer III); Horror (text, media, culture) (Iaccino, Sederholm, Woofter); Literature, Politics, & Society (Moore); Mystery and Detective Fiction (Arbach and Russell); Poetry Studies and Creative Poetry (Manning); Pulp Studies (Everett and Shanks).
Cemeteries and Gravemarkers (Edgette)
John Soward Bayne : South-View Cemetery, Atlanta
Circuses and Circus Culture (Mascia)
Thomas Nealeigh : Ain’t No Big Top Here! Popular Culture Myths vs. The Realities of the Business For the Modern Freak Show & Side Show Performer As Exposed By an Actual Working Showman From His Real World Experience
Alexis Wolstein : Wir Sind Alle Freaks: Sideshows, Freaks and Their Freakish Audiences
Disasters, Apocalypses, and Catastrophes (Bell and Ficociello)
Robert Collins : Fear Itself: Ebola and the Politics of Urban Disaster Preparedness
Brandon Galm : I Wasn’t There: Disaster, Location, and Degrees of Experience
Liane Tanguay : A Random Harvest: The Leftovers, debt, and the “strange non-death” of neoliberalism
Gothic in Literature, Film, and Culture (Palmer III)
Enrique Ajuria Ibarra : Journey Nightmare: Gothic Travels in the American Horror Road Film
Barbara Harroun : Rectify: The “Resurrection” of the Southern Gothic as Episodic Television
Kassia Waggoner : Silence as Scare Tactic in American Horror Story
Horror (text, media, culture) (Iaccino, Sederholm, Woofter)
Ralph Beliveau : Weird Pictures: The role of the visual arts in the development of the weird; Experiments In Terror; Bending Form to Produce Horror
L. Andrew Cooper : Remembering Carcosa: Surrealism and Cosmic Horror in True Detective
Brad Duren : No Sanctuary, Only Sectarianism: Seasons Four and Five of The Walking Dead; « Is that a syringe in your pocket or are you just happy to see me? »: A Reassessment of George A. Romero’s Martin (1976)
Louise Fenton : Brick Dust and Bones: New Orleans Voodoo in Live and Let Die (1973), Angel Heart (1987) and The Skeleton Key (2005)
Mark Finn : No Black Stone Unturned: A Critical Examination of Robert E. Howard’s Most Significant Cthulhu Mythos Story
Karen Herland : [Roundtable] Contested Footage: Snuff, Disease, the Avant-Garde, and the Archive
Jennifer Moorman : ‘Blood on the Books, Blood on the Screen’: New Horror Scholarship
Rebecca Stone Gordon : ‘Blood on the Books, Blood on the Screen’: New Horror Scholarship
Annaëlle Winand : [Roundtable] Contested Footage: Snuff, Disease, the Avant-Garde, and the Archive
Kristopher Woofter : “Welcome to Our Nightmare” Wednesday Night Screening: Lucio Fulci’s THE BEYOND (1981); Weird Pictures: The role of the visual arts in the development of the weird; [Roundtable] Contested Footage: Snuff, Disease, the Avant-Garde, and the Archive
Literature, Politics, & Society (Moore)
Christy Saldivar : Hunger Games Trilogy: Using Literature to Emphasize Political Society, the Environment, and Writing Strategies
Mystery and Detective Fiction (Arbach and Russell)
Kecia Ali : Professional in Death: Gendered Mentoring and Human Flourishing in J. D. Robb’s Novels
Donna Harper : Robert B. Parker’s Spenser and the Use of History
Poetry Studies and Creative Poetry (Manning)
Annette C. Boehm : Tea with Kurt Cobain — Neoformalist Poems
Marnie Bullock Dresser : Mobius Strip of a Man and other poems
Anya Groner : So Our Ghosts Can Find Us
Anne Harding Woodworth : Hannah Alive: A Persona Poem
Jessica K. Hylton : The Raw Side of Existence: Original Poems by Jessica K. Hylton
Katie Manning : How to Play: Poems Inspired by Board Games
James Meetze : Robin Blaser and the Rhizomatic Poetics of Outside
Pulp Studies (Everett and Shanks)
Daniel M Look : [Who] Can Write No More?: The Contested Authorship of CM Eddy’s « The Loved Dead »
Laurie Powers : Daisy Bacon and Love Story Magazine: The Powerful Woman Editor Behind the Biggest-Selling Romance Magazine of Its Time
Jeffrey Shanks : Zombies from the Pulps!: Race, Imperialism, and the Dawn of the Living Dead Genre; White Zombie (1932) – Race, Colonialism, and the Walking Dead
October Surprise : PULP FASCIST – Doc Savage, the Übermensch, and Fascism
